Final Cut Pro X Free Download Mac Full Version 2017 Updated

Final Cut Pro X Free Download Mac Full Version 2017

Video editing software by Apple

Final Cut Pro

Screenshot of Final Cut Pro 10.5 running on macOS Catalina 10.15.vii
Developer(due south)	Apple Inc.
Stable release	10.six.one / Nov xv, 2021; 4 months ago  (2021-11-15)
Written in	Cocoa
Operating system	macOS 10.fifteen.vi or later on
Type	Video editing software
License	Commercial proprietary software
Website	www.apple tree.com/finalcutpro/

Concluding Cut Pro, previously Final Cut Pro X, is professional non-linear video editing software published past Apple Inc. as part of their Pro Apps family unit of software programs. Information technology was released on June 21, 2011 for sale in the Mac App Shop. It is the successor to Terminal Cut Pro. ^{[i] [2]} It was renamed "Final Cut Pro" in November 2020, coinciding with the release of macOS Big Sur.

Features [ edit ]

Final Cutting Pro X shares some of both its code and interface design philosophy with Apple'due south consumer video editing software, iMovie. ^{[3] [4]}

Interface [ edit ]

• Outcome browser: Replacing "bins" in other NLEs, the event browser is where the original media is found and can be searched and sorted past various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections let for faster sorting of a large number of clips.
• Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep continued clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in whatsoever gaps and fugitive prune collisions by automatically bumping clips out of the mode vertically. The magnetic connections are as well user-definable.
• Roles: In gild to split and organize different audio types on the magnetic timeline, editors can designate what "role' each prune plays. Introduced in version 10.0.1, Roles can be assigned to clips equally an alternate way of creating organizational functionality. A Role (or Sub-Office) gets assigned to clips to identify what it is (for case Video, Titles, Dialogue, Furnishings, Music). Upon Sharing a Chief File of the Projection the diverse Roles can be divide out as stems or in a multitrack file for broadcast commitment or other distribution needs.
• Content auto-analysis: Institute in the import window and event browser is the option to clarify media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, groundwork noise, colour rest, pulldown removal, and stabilization. This process generates metadata that can automatically exist organized as Keywords and tin exist grouped into Smart Collections.
• Synchronized clips: Video and sound clips recorded on separate devices tin can be synched automatically past timecode, audio waveforms, and markers together every bit a unmarried clip.
• Compound clips: Nested sequences from the original Final Cutting Pro have been replaced past chemical compound clips. A selection of video and audio clips tin can be nested into a single compound clip. This chemical compound clip can be opened in its own timeline or broken autonomously for farther editing. It tin can also exist reused in different projects.
• Airtight captions: Introduced in version x.four.1, closed captions tin can be created right in the timeline or imported into the timeline from an external file.
• Multicam editing: Introduced in version 10.0.3, multiple photographic camera angles tin can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip tin can be cut upward into dissimilar angles by using the bending viewer. A multicam prune tin can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
• Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. In one case in the timeline, an audition allows the user to cull between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
• 3D titles: Introduced in version 10.2.0, text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles like those found in Hollywood movies directly in the application. ^[five]
• 360 degree video editing: Introduced in version 10.4. import and edit 360° equirectangular video in a broad range of formats and frame sizes.
• Avant-garde colour grading
• High dynamic range

Technical features [ edit ]

While inheriting the name from its predecessor, Terminal Cut Pro, Last Cut Pro X is a completely re-written application. As a native 64-fleck application information technology takes advantage of more than 4GB of RAM. It utilizes all CPU cores with 1000 Central Acceleration. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and sound formats. ^[6] Information technology can also transcode video clips to the Apple tree ProRes codec for improved performance. ^{[7] [8]} Many tasks are performed in the background such equally auto-saving, rendering, transcoding, and media direction, allowing the user an uninterrupted feel. ^[9] Final Cut Pro X was developed for macOS only. ^{[10] [11]}

Workflow integration [ edit ]

Motion v

Titles, motility graphics, effects generated in Movement 5 can be published to Final Cut Pro X. Inside the Last Cut Pro X, editors can modify the parameters and contents of the furnishings, as long every bit the permission for such modifications is turned on in the Motion five project file.

Adobe Photoshop

In Final Cutting Pro X 10.0.three and later, the editor tin import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a chemical compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can exist toggled on or off inside the Last Cut Pro X by double-clicking the imported project and going into the chemical compound clip editing panel. Other adjustments to the Photoshop projection should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in existent-time inside Final Cut Pro Ten.

Development [ edit ]

Final Cut Pro X was made bachelor for purchase and download on the Mac App Store on June 21, 2011 along with new versions of Move and Compressor. ^{[2] [12]} Since and so the awarding has been updated a few times each year with new features, issues fixes, native codec support, and overall improvements with stability. ^[13]

Many features found in Final Cutting Pro vii that were missing in Final Cut Pro X on its initial release ^[14] accept later on been added such as: XML import and export, server support, multicam editing, chapter markers, and circulate monitor back up. ^[15]

Considering Final Cut Pro X abased a track-based timeline in favor of the Magnetic Timeline initially there were limitations in exporting sound stems for Broadcast and Distribution needs. On September 9, 2011 version 10.0.1 was released with a new solution to this trouble, the introduction of Video and Audio Roles. Clips are assigned Roles and upon Sharing a Project the user could consign Multitrack Quicktime Files or Stems. ^{[16] [17]} AAF export is done with a third-party app X2Pro which uses FCPXML. Some other method is to use Logic Pro X to make an AAF.

With version 10.0.6 released on Oct 23, 2012, Apple introduced native Redcode Raw support as well equally MXF back up through a tertiary political party plugin. MXF was eventually natively supported by version x.one.four. ^[18]

Prior to the introduction of version 10.1.0 Project and Event Libraries were dissever folders. Events independent all the original media and Project Libraries contained the actual edited Projects on timelines. The Projection and Result Libraries were stored in a user's Movie binder or on the root level of an external difficult bulldoze. These Libraries automatically opened in Final Cutting Pro 10 depending on which difficult drives were mounted. That all changed on December 19, 2013, when Project and Event Libraries were merged into a new Library model. Libraries independent Events which in turn contained Projects. And unlike earlier Libraries could be opened and airtight past the user. Media could be stored internally in the Library or kept exterior the Library. On June 27, 2014 media management was further refined with the release of version 10.1.2. ^[19]

During the NAB Show 2015 Apple released version ten.2.0. 3D Titles were introduced straight in Last Cut Pro X also equally its companion application, Motion. The Color Lath merged with a new Color Correction event to allow for more flexibility in stacking layers of effects. The ability to utilize a Keying or Shape Mask directly to any effect was also introduced. ^[twenty]

Version 10.three introduced an entirely new interface and an improved magnetic timeline. Support for iXML metadata when importing audio. Audio editing vastly improved. Audio roles can be shown in lanes. REC 2020 colour import, edit, and export. MXF support.

Version 10.four.0 introduced color wheels and color curves, 360º video editing and Loftier Dynamic Range (HDR) video,

During the NAB Show 2018 Apple released version 10.four.1. Airtight Captioning was introduced also as support for ProRes RAW. Version 10.4.one requires Mac Bone version ten.13.2 High Sierra.

Release history [ edit ]

Version	Date	Significant changes
10.0.0 [2]	June 21, 2011	All new application with redesigned GUI 64-bit support An advanced searchable database called the outcome browser that uses keyword ranges and smart collections for prune sorting New magnetic timeline that abandoned traditional track-based NLE paradigms Live skimmer Filmstrip thumbnail view Advanced metadata views in clip info inspector New colour-board interface for colour correction ColorSync with the AV Foundation for authentic color monitoring [21] Requires Mac Os X Snowfall Leopard 10.half dozen or afterward
10.0.1	September nine, 2011	Audio roles for audio and video stem exports XML import and export Xsan support Custom start timecode for projects Functioning enhancements and bug fixes
10.0.ii	November 16, 2011	Bug fixes
x.0.3 [22]	Jan 31, 2012	Multicam clips, automated sync, mixed formats and frame rates, upward to 64 angles, and new angle editor interface Media relinking Layered Photoshop documents back up Beta broadcast monitor support XML 1.1 Functioning enhancements and bug gixes
ten.0.4	April ten, 2012	Performance enhancements
10.0.v	June eleven, 2012	Issues fixes
x.0.six	October 23, 2012	Multichannel audio editing in the timeline Unified import window. export selected ranges Native Redcode raw support MFX back up through 3rd-party plugin Dual viewers with scopes Chapter markers for video file, DVD, and Blu-ray disc exports Range selections preserved with clips in the event browser Paste attributes choice for choosing specific furnishings to re-create between clips Drop shadow effect Compound clips saved in the timeline save in the event browser to exist reused in other projects XML 1.ii Blade all command Performance enhancements
ten.0.7	December 6, 2012	Issues fixes
ten.0.eight	March 26, 2013	Sony XAVC codec support Arri Alexa Log C to Rec 709 LUT Problems fixes and performance enhancements
ten.0.9	July 30, 2013	Bug fixes
10.1.0	December nineteen, 2013	Event and projection libraries at present merged into new library model Back up for dual GPUs in Mac Pro New 4K title, transition, and generators content External or internal media management options for libraries Project snapshots for versioning; custom project frame sizes Native support for .MTS and .MT2S AVCHD files Used media indicators API for third parties to create custom share options 4K video sharing to YouTube XML one.three Performance enhancements Requires OS X Mavericks 10.nine or later on
10.1.one	January sixteen, 2014	Bug fixes and operation enhancements
10.1.two	June 27, 2014	Improved media management for libraries Used media ranges employ to compound, multicam, and synched clips Employ LUT corrections to view log footage from Arri, Blackmagic, Canon and Sony Cameras in Rec. 709 colorspace XML library consign Automatically create keywords on import from Finder tags 4K video sharing to Vimeo XML 1.4
10.1.three	Baronial 19, 2014	Bug fixes
10.1.4	Nov 25, 2014	Native support for MXF Panasonic AVC-LongG codec support Bug fixes
10.2.0 [5]	Apr 13, 2015	3D Titles Simultaneously brandish upward to four video scopes Keying and shape masks can be applied to whatever effect Color board at present merged with new color correction effect Support for Panasonic AVC-Ultra, Sony XAVC South, JVC Long GOP codecs GPU-accelerated RED raw processing Smart collections at the library level XML i.five Requires OS 10 Yosemite 10.10.2 or afterwards
10.2.1	May 14, 2015	Bug fixes
10.2.ii	September iv, 2015	Sony XAVC-L, Catechism XF-AVC 8-fleck, and Panasonic AVC-Intra 4:iv:iv codec support Export interlaced H.264 Library backup on asset management systems Problems fixes
10.2.3	February 4, 2016	Customizable default issue 4K export preset for Apple tree devices Performance enhancement for SANs Back up for XF-AVC codecs Sharing to multiple YouTube accounts Bug fixes Volition not run on macOS High Sierra x.13 or newer.
10.iii	October 27, 2016	Interface improvements Magnetic timeline 2 Wide color gamut Support for the bear on bar on MacBook Pro More video formats XML 1.6 Requires Bone Ten El Capitan 10.11.iv or later
10.3.4	March 25, 2017	Issues Fixes Final supported version for Bone Ten El Capitan
10.4	December xiv, 2017	Import and Edit 360°/VR equirectangular video Colour correction redesign Support for 8K projects and videos HEVC support HDR support XML ane.7 Requires macOS Sierra ten.12.4 or afterwards
10.4.1	Apr xv, 2018	Support for embedded closed captioning Support for ProRes RAW XML i.8 Bug fixes Requires macOS Loftier Sierra 10.13.two or later
10.four.2	April 30, 2018	Bug fixes
10.iv.three	June 21, 2018	Support for Pro-Res RAW files Bug fixes
x.iv.4	November 15, 2018	Workflow extensions Batch sharing Video noise reduction Timecode window Comparison viewer Tiny planet Captions, timeline drag, comic-ization, new 360° transitions Improvements to 360° video, audio, airtight captions, colour correction, effects, multicam, roles, timeline, titles
10.four.five	January 17, 2019	Problems fixes
x.four.6	March 21, 2019	Detects and offers the selection to convert media files incompatible with futurity macOS versions – those afterwards Mojave 10.14 [23] Bug fixes
ten.four.seven	Oct 7, 2019	New Metallic-based processing engine for faster rendering, compositing and exporting. Amend multiple GPU compatibility New color tools View HDR content tone-mapped to look correct on SDR displays if running macOS Catalina Problems fixes Requires macOS Mojave 10.14.6 or later
ten.4.8	December 10, 2019	Bug fixes
10.4.ix [24]	August 25, 2020	Enhancements to proxy workflows Automated tools for social media cropping Editorial workflow improvements XML 1.ix
10.4.ten	September 24, 2020	Bug fixes
10.5	November 12, 2020	Improved performance and efficiency on Mac computers with Apple silicon Pick to create a copy of your library and automatically transcode media to ProRes Proxy or H.264 at various resolutions Requires macOS Catalina 10.xv.6 or afterwards
10.five.one	December 20, 2020	Problems fixes Option to share video to Youtube and Facebook
10.v.two	March 4, 2021	Adds support for a new Universal RED plugin enabling native Scarlet raw decoding and playback on both Apple tree silicon and Intel-based Mac computers Improves stability when playing back H.264 video files with corrupt information Problems fixes
10.5.3	June 17, 2021	Create and edit custom column views with the new column editor Search for media in the browser using expanded criteria including clip names, markers, and notes Sort clips in the browser according to type, including proxy, optimized, and missing media Restores support for copying clips from the Finder and pasting into the timeline Bug fixes
x.5.4	July 8, 2021	Improves stability when exporting with certain macOS Language & Region preferences Improves stability when playing H.264 or HEVC media Last supported version for macOS Catalina
ten.6	October 18, 2021	Drag effects, titles, or generators into the viewer to automatically detect, track, and match the movement of faces or objects using car learning. Manually add a tracker from the inspector, adjust its mask shape, and choose between dissimilar tracking assay types. Cinematic Manner Edit videos recorded with iPhone 13 in Cinematic mode (requires macOS Monterey). XML 1.10 within a new .fcpxmld bundle format Requires macOS Big Sur 11.5.1 or after
10.6.1	November 15, 2021	Issues fixes Improves reliability during playback of AC3 audio. Improves stability when removing audio effects in the inspector. Improves stability when opening projects from the browser. Improves stability when previewing effects in the Effects browser. Improves stability when dragging clip ranges to Keyword Collections.

For a complete overview of the changes made, encounter Apple'due south release notes.

Reception [ edit ]

Final Cut Pro X was appear in April 2011 simultaneously at the Los Angeles Final Cut Pro Users Group held at Bally's Las Vegas and at the NAB Prove in the Las Vegas Convention Center and released in June 2011. ^{[12] [25]}

The reaction was extremely mixed, with veteran moving picture editor Walter Murch initially saying, "I can't use this," citing a lack of features compared to Final Cut Pro seven. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using information technology. ^[26]

Missing features and issues noted as essential to professional video production in FCPX included lack of edit determination listing (EDL), XML and Open up Media Framework Interchange (OMF) support, disability to import projects created in previous releases of Final Cut Pro, a lack of a multicam editing tool, third-political party I/O hardware output, and videotape capture being limited to Firewire video devices merely, including capture with third-party hardware, ^[14] were addressed inside the first 6 months of the product's life. EDL export, a product of the early days of videotape editing, is at present supported through third-party software ^[27] and creating an AAF (a newer version of OMF) ^[28] for passing projects to Pro Tools through X2Pro.

Since so, in some people's opinions, some of Final Cut Pro 10's initial shortcomings take been fixed. ^{[29] [thirty]}

Apple tree appear in April 2018 that in that location are more than than 2.5 Million users of Final Cut Pro X. ^[31]

Ecosystem [ edit ]

Since its release, FCP Ten has supported the structure of effect, transition, and championship plugins by publishing custom-built effects from Apple Movement. This has led to a 3rd-political party ecosystem of developers building furnishings from simple color corrections to complex templates. ^[32] 3rd-political party plug-ins tin can as well exist created through Apple's FxPlug SDK. ^[33] Every bit Projects, Events, and Libraries are stored in a database format; this has immune many third-party developers to build workflow tools by utilizing FCPXML. ^[34]

Feature films and television shows edited with Final Cut Pro X [ edit ]

Picture show [ edit ]

• Immature Detective Dee: Rising of the Sea Dragon (2013) ^[35]
• Loreak (2014) ^[36]
• Focus (2015) ^{[37] [38]}
• Well Wishes (2015) ^[39]
• What Happened, Miss Simone? (2015) ^[40]
• La isla del viento (2015) ^[41]
• 600 Miles (2015)^{[ citation needed ]}
• Minimalism: A Documentary About the Important Things (2015)
• Just Let Go (2015)
• An Autumn Without Berlin (2015)
• The Called (2015)
• Amama (2015)
• Saved by Grace (2016) ^[42]
• Whiskey Tango Foxtrot (2016) ^[43]
• Saturday's Warrior (2016) ^[44]
• Voice from the Stone (2016) ^[45]
• El Hombre de las Mil Caras (2016) ^[46]
• Bokeh (2016) ^[47]
• Everything Else (2016) ^[48]
• La Historia de Jan (2016) ^[49]
• Geostorm (2017)^{[ commendation needed ]}
• The Unknown Soldier (2017) ^[50]
• Flesh And Blood (2017) ^[51]
• Daisy Winters (2017) ^[52]
• Handia (2017)
• Escape Room (2017)
• Brothers' Nest (2018)
• La llum d'Elna (2017)
• Dead Envy (2018) ^[53]
• Gabriel (2018) ^[54]
• Off The Tracks (Documentary) (2018) ^[55]
• Dantza (2018)
• Scramble the Seawolves (Documentary) (2018)
• Jezebel (2019) ^[56]
• The Banker (2020) ^[57]
• Organized religion Based (2020) ^[58]
• Wild Amsterdam (2018) (Documentary) ^[59]
• Fragments of Truth (Documentary) (2018) ^[lx]
• The Isle (2018) ^{[61] [62]}
• Unhinged (2017) ^[63]
• Psychosynthesis (2019) ^[64]
• Shadows on the Road (2018) ^[65]
• Against the Clock (2019) ^[66]
• Chasing Molly (2019) ^[67]
• Follow Me (2020)
• Budapest Heist (2020)
• Monsters of Human (2020) ^[68]
• Blood Crimson Sky (2021) ^[69]

Television [ edit ]

• BBC Have I Got News For You (2020) ^[70]
• BBC News (2014) ^[71]
• Trailer Park Boys (2012) ^[72]
• Leverage (2012) ^[73]
• George to the Rescue (2013) ^[74]
• The Hong Kong Thing (2013)
• Drag Queens of London (2014)^{[ citation needed ]}
• O.J. Speaks: The Hidden Tapes (2015) ^[75]
• Paramedics: Emergency Response (2015) ^[76]
• Challenger Disaster: Lost Tapes (2016) ^[77]
• Rebellion (2016)
• Sexual practice on the Edge (2016) ^{[ citation needed ]}
• Conquistadores Adventum (2017)
• Diana: In Her Ain Words (2017) ^[78]
• Students on the Edge (2018) ^{[ citation needed ]}
• La Peste (2018) ^[79]
• Dogs Of Berlin (2018)
• Apollo: Missions to the Moon (2019)
• Matchday: Inside FC Barcelona (2019) ^[80]
• Salvados (2019) ^[81]
• La Línea: Shadow of Narco (2020) ^[82]
• Q: Into the Tempest (2021) ^[83]

References [ edit ]

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